Interior Painting
Walls, ceilings, trim, and doors, painted by the same crew that showed up to measure.
See detailsCoffers, beams, stairwells, and smooth ceilings where the popcorn used to be.
Two coats of flat paint go on every ceiling, because a ceiling is the one surface in a room that window light rakes across all day, and it shows every lap mark and roller line a wall would hide. Coffered and beamed ceilings are cut by hand along every miter, in one color or two. Popcorn removal is quoted as all four steps, scraping, skimming smooth, priming, and painting, and any texture applied before roughly 1980 is tested for asbestos before a scraper touches it.
Coffered and beamed ceilings are the most detailed painting in a house. Every coffer is four inside corners, a crown, and a flat panel, and a two-tone coffer, dark beams with a lighter panel or the reverse, has a cut line running the full length of every beam. The ceilings in the photographs on this page are Dane County homes, in black, gray, and two-tone.
Tall ceilings are the ones that get skipped: two-story foyers, stairwells, and vaulted great rooms, where reaching the surface safely takes the right ladders or staging set up before anyone climbs. A flat ceiling in an ordinary room gets the same care, because side light from a window finds every roller line.
Popcorn removal starts with the part that is not negotiable. Acoustic texture manufactured before the early 1980s can contain asbestos, and scraping it dry releases fibers into the air of your home. We arrange the sample and the lab, and if it comes back positive we stop and refer you to a licensed abatement contractor. We do not remove asbestos-containing texture.
When it tests clean, the room is fully contained and the texture is misted and scraped wet, so it comes off in sheets instead of dust. Then comes the half most quotes leave out: under the popcorn is drywall that was never finished, so it is skimmed to a smooth Level 4 or Level 5, sanded, primed, and painted. A quote that only covers scraping is not cheaper. It is incomplete.
One color, or two-tone with dark beams and light panels. Cut by hand along every miter so the line between them stays straight.
Two-story foyers, stairwells, and vaulted rooms: the ceilings that get skipped because they are hard to reach.
A flat, even ceiling with no lap marks or roller lines, judged the way side light from a window will judge it.
Scraped wet, skimmed to Level 4 or Level 5, primed, and painted, sequenced room by room so you keep somewhere to sleep.
We arrange the sample and the accredited lab on any pre-1980 texture, and we hand you the result in writing.
Old roof and plumbing stains sealed with a shellac-based blocker so they stay gone rather than ghosting back in a year.
You will know what is happening in your house on every one of these days before the first one starts.
We see the ceiling with the light it actually gets, because side light from a window is what exposes lap marks, old patches, and seams.
Popcorn applied before roughly 1980 is sampled and sent to an accredited lab before anything else happens. A positive result stops the job and goes to a licensed abatement contractor.
Floors and furniture covered; for popcorn removal, the whole room sealed, doorways and HVAC returns included.
Cracks and patches filled, water stains sealed with a shellac-based blocker, and a scraped ceiling skimmed smooth and sanded flat.
The wall-to-ceiling line, and on a coffered or beamed ceiling every miter and beam edge, cut by hand.
Flat, always. Any sheen on a ceiling amplifies every imperfection the morning light finds.
Yes. A two-tone coffer, usually dark beams and a lighter panel or the reverse, is cut by hand along every beam so the line between the colors runs straight. It takes longer than one color because every beam has two edges to cut, and it is priced that way at the walkthrough.
Flat, almost always. Any sheen on a ceiling catches the light from the windows and shows every roller line and patch. Flat hides more than any other finish, which is why every ceiling here gets two coats of it.
It is quoted per room after we look at what is above the texture, and it always includes scraping, skim coating smooth, priming, and painting. Be careful comparing that to a scrape-only quote, which is a cheaper number for a different and unfinished job. Pre-1980 texture has to be tested for asbestos before a scraper touches it.
If the texture was applied before roughly 1980, it might, and the only way to know is a lab test. We arrange the sample and the accredited lab on any pre-1980 ceiling before anyone scrapes. If it comes back positive we stop and refer you to a licensed abatement contractor. We do not remove asbestos-containing material.
Because the drywall under popcorn was never finished. The texture existed specifically so the installer could skip taping and sanding to a finish level. Scrape it off and you expose raw tape joints and fastener dimples, which is why a scrape-only job looks worse than what you started with.
Yes. We contain and seal one room at a time, including the HVAC returns, and we sequence the work so you always have bedrooms available. It is a messy job that is kept inside a controlled box.
Smooth is the current look and it is unforgiving, so it needs a Level 5 finish under any strong side light. A light knockdown hides imperfection, costs less, and still reads as modern. If your ceiling is old and slightly wavy, knockdown is often the smarter answer, and we will say so.
Walls, ceilings, trim, and doors, painted by the same crew that showed up to measure.
See detailsThe repair nobody can find afterward, which is the only kind worth paying for.
See detailsA factory finish on the cabinets you already own, for a fraction of replacing them.
See details